On our journey there, we passed by one of the most memorable graffiti pieces that I have seen here. It was on what we think is the cement block containing the transformers for the trams, and it said “capitalism kills.” So, naturally, we got a couple of pictures of Jordan holding his money and talking on his iPhone next to it. It seemed like a good idea at the time.

Anyway, on to the museum we go. The museum is housed in one of many buildings called the Arsenal, which was built between 1850-1856 as the Imperial Army garrison and armory. One gets this impression because of the rows of old canons that line either side of the front entrance.

Of interest to me were the different ways that painters in the Habsburg territories portrayed the Turks who tried to invade Vienna. Well, to be honest, I was not interested in this at first because I was waiting for the sections on the World Wars. But since it was assigned, I did it. I actually found it an enjoyable intellectual exercise; thanks public education! Anyway, much of the display of the Turks was in the section on the 30 Years’ War and when they tried to invade Vienna in 1529 and again in 1683. Common to almost all of the paintings of battles, the Turks were portrayed as dark barbarians. These images of the enemy as less than human is a common ploy in wartime in order to bolster support for the war effort and to frighten the citizens into compliance with whatever wartime agenda takes form. I see parallels between these images and the ones produced under the Nazi regime where the Jews looked more animal-like than human. This practice is almost universal to wartime, and displays the nasty human tendency towards hatred and misunderstanding. I suppose that this lesson was an appropriate one to learn in a museum of military history.
Next we were on to the section of the museum that had been in the back of my mind all day: the section that held the actual car that Archduke Franz Ferdinand, heir to the Austro-Hungarian throne, was assassinated in, the uniform that he was wearing, and the couch on which he was pronounced dead. This was a seminal event in European/world history because it ignited the powder-keg that was Europe in 1914, directly leading to WWI. Once I got to this section, I really did not know what to think. On one hand, it looked like any car, any uniform, and any couch in that time period.

After a few speechless minutes, we moved into the exhibit on WWII. I have to be honest; I was not impressed with this display. There was little to no information on the Austrian involvement in the War! The exhibit was designed to vilify the Nazis and Hitler in every shape and form. In a museum that espouses itself to be a bastion of historical information, they chose to put in a weird art exhibit featuring Hitler as a wolf instead of providing much REAL fact on one of the most important times in world history. The section on the Austrian Navy was more informative than the WWII exhibit! Austria today is a COMPLETELY LAND-LOCKED COUNTRY! I can only assume that the move to present Austria as juxtaposed to the Nazi agenda instead a part of it is just another method of coping with the ghastly past that was the Nazi annexation. Yet, pointing at this part of the past and making it seem evil does not change the fact that Austria was intertwined with the German war effort. To what degree, as Father Clemens remarked earlier in the week, we will probably never know. There were certainly Nazi sympathizers, but the numbers were so distorted by the Nazi party that it is hard to say how invested in the Third Reich the common Austrian was. Still, I wish that they could present the information to the best of their accurate knowledge and let us judge for ourselves instead of hide it away. Then again, I have seen very little in museums in America about our involvement in the genocide of the Native Americans during our colonial period. I suppose we both have things to learn.
Later during that day Jan organized a trip for a few of us to go to one of the largest cemeteries in Vienna, which happened to be really close to our apartments. It was an eye-opening experience to be sure. Of special note were the graves of such musical luminaries as (look this up!). Sadly, Jan could not find the burial site of Falco, a popular European pop artist (I think). Some of the more prominent families could afford to decorate the graves of their family and loved ones with ornate pillars, granite edifices, and impressive obelisks. As we journeyed deeper into the cemetery, however, we got to the most interesting and haunting portion: the Jewish section. Rows upon rows of gravesites were completely run over with weeds and grass.

The whole scene, from an objective stand-point, is easy enough to understand. You decimate a certain population, there is little voice left to prevent graves from becoming forgotten. Yet as a person actually walking around and seeing the graves of Christians as works of art while some portions of the Jewish section have been untouched in decades it was an eerie feeling. These people had lives, stories, families, and histories. It is a shame that war can even now take all of these things away from people. Additionally, it was an odd coincidence that earlier in the day I was engaged in an intellectual pursuit of the history of war and later I was walking through the still very emotional aftermath. It’s as if seeing the graves was the ultimate and final exhibit on military history.
To all those souls who have their last earthly holdings overgrown by nature, you will not be forgotten.